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grindertom
26th September 2003, 05:54 PM
I have just registered as a member of the "Bamboo Forums" to learn more about using bamboo as a construction medium in organ pipes. I have been an organ grinder for some years and have built several crank (monkey) organs over the last 15 years for both myself and friends. There is no full-time small mechanical organ builder in the United States and other than for a recent short period of time there hasn't been one for several decades.

There are essentially two styles of crank organs, those built in Berlin and those in the Black Forest. Berlin organ sound is very strident and forceful resulting from a rank of piccolo pipes mounted as the first row of pipes in the organ. This stridency is due mostly to the fact the resenators for the pipes are brass pipes giving them a harsh, piercing sound. This also makes it hard to keep the piccolo pipe rank in tune because as soon as the sun hits them they expand lengthwise driving them very sharp.

While visiting european museums devoted to all sorts of mechanical musical instruments made by europeans over the past 300 years I realized many of the old instrument master builders used bamboo for piccolo resonators. I want to make a rank of piccolos with bamboo resonators for a new organ I am building; but, unfortunately I know nothing about the accoustic properties of bamboo; bamboo's physical characteristics and sources of supply.

The resonators sit on top of a cross-blown windway; kind of like blowing a pop bottle. They will vary in internal diameter (the critical dimension) from 9\16 inch to 3\8 inch. Hopefully the wall thickness would be no more than 1\16 inch. The length (also important) will vary from approximately 4 inches to 2-1\2 inches. If anyone can give me any guidance as to a variety of bamboo I should be using and where I may acquire the same it will be greatly appreciated.

Tom Griffith

Mark Meckes
26th September 2003, 07:28 PM
Hi Tom,
If this instrument has european heritage, then the pipes may have been made from Arundo donax, actually a woody giant grass, not bamboo, but a cousin ( according to taxonomists ).
One reason why the `Western civilization' is devoid of a background knowledge of bamboos is that it is one of the few areas on earth with no indigenous stands of bamboo.
The first bamboo species were introduced into europe in the early1800's, and probably didn't get into the hands of craftsmen till much later.
I'm sure our members would much appreciate any historical references to these instruments, links to sites etc etc.
Your introduction has certainly provided us with a great start!
Mark

Mark Meckes
30th September 2003, 11:49 AM
Hi Tom,
We have plenty of Arundo donax growing wild here in central Texas, and I've thought about experimenting with it, so I'll harvest some in late autumn after the leaves have been frosted, and check it out.
Most reeds for musical instruments are made from this material, though reed suppliers/musicans can be very particular about claims that reeds grown at a specific location produce the best reeds.
I'm sure that there is some truth to this claim.
I was able to grow Arundo donax in Pennsylvania (to 20 below zero oF) to 12-15 feet tall, but the canes were winter killed each year and were quite pithy and low quality, whereas I read somewhere that A. donax canes for reed use need to be 3 years of age.
In Central Texas A. donax may be top hardy for a few years and then a cold spell may kill everything down to the ground.

I'd be happy to send you samples of A. donax and also different bamboo species for you to experiment with when I return from Florida in November...maybe others can help you too...
The main issue is, that it isn't so much quantity that you need but quality, ie...
- species variety according to your specifications
- roundness'of culms, (many poles aren't exactly round, but oval
- culms not having a groove on one side
- age at harvest time
- green at harvest - you do the drying/heat-tempering
- fully processed and ready to use
As you can see, the critical factor is proper selection and processing technique, and as musical instrument makers know only too well... having a source to bamboo is easy compared to what else is involved.
Fortunate are we who can go through a large stack of bamboo to pick out several pieces that are perfect for the application.
Bamboo fishing pole / fly-rod makers are faced with the same quandry!
Mark